vedaselin7@gmail.com
production resume
Blue Amber (2026)
directed by me | Sony Venice
Wallet Snatchers (2025)
directed by Amaris Echinque | Sony Venice
Second Date (2025)
directed by me | Alexa Classic
The Faces You Know (2025)
directed by Madyson Briggs | Canon C300 Mk II
Little Fish (2024)
directed by Heather Sunderlage | Black Magic
Marie (2024)
directed by Heather Sunderlage | Canon C100
The Ideal (2024)
directed by Heather Sunderlage | Canon C100
camera operator
Soundcheck (2025)
cinematography by Gabriella Tortolero | Sony Venice
1st assistant camera
Middle of August (2026)
directed + photographed by Anoulak Blanchet | Alexa Mini
Unwoven (2026)
directed + photographed by Isabella Balta | Alexa Mini
Love and Other Homicides (2025)
directed by Iryna Paleshnyk | cinematography by Petra Espinosa | Alexa Mini + Arri SR
Round-A-Bout (2025)
directed by Patrick Demitras | cinematography by Tegan Baker | Red Gemini
Aberrant (2025)
cinematography by Devin Flores | Canon C700
The Righteous Killer (2024)
cinematography by Wilson Rouse | Sony Venice
Sob Story (2024)
directed by Robert Lawson | cinematography by Allison Trinklein | Black Magic
Catching a Falling Leaf (2024)
directed by Isaac Alexander | cinematography by Jade Bailey | Alexa Classic
Drunken Tango (2024)
directed by Beau Vince | cinematography by Petra Espinosa | Canon C100
Coupe (2024)
directed by Diego Madrigal Cruz | cinematography by Petra Espinosa | Canon C100
Outdoors People (2024)
directed by Maya Kimble | cinematography by Katie Cahal | Sony FX9
2nd assistant camera
(Re)Birth (2025)
cinematography by Drew Faflick | Sony FX9
Sacrament (2025)
cinematography by Drew Faflick | Digi Bolex
Is She a Slut? (2024)
directed by Nicole Patton | cinematography by Emily Polark | Sony Venice
Bitchin’ (2024)
directed by Elena Drouin + Olivia Haas | cinematography by Emily Polark | Sony FX30
When Time Fell in Love with Fate (2024)
directed + photographed by Katie Cahal | Sony Venice
A Waning Memory (2024)
directed + photographed by Noah Chlebeck | Sony Venice
Pandora’s Applebox (2024)
directed + photographed by Nikolai Zychowicz | Red Gemini
Deadly Desires (2023)
directed by Nicole Patton | cinematography by Emily Polark | Canon C100
Noon @ 2am (2023)
directed by Imani Anderson | cinematography by Jeremy Boerchers | Sony Venice
Cure for Hiccups (2023)
directed by CC Davis | cinematography by Sofia Matheus | Alexa Classic
electric
Present Company (2026)
directed by Jimmy Alcorn | cinematography by Petra Espinosa | Gaffer
Interstate (2026)
directed by Alex Li | cinematography by Anoulak Blanchett | Gaffer
Zephyr (2026)
directed + photographed by Petra Espinosa | Gaffer
Bunny (2025)
directed + photographed by Gabriella Tortolero | Gaffer
Biscuit Fire (2026)
directed + photographed by Robert Celestine | Best Electric
Broad Shoulders (2026)
cinematography by Allison Trinklein | Best Electric
What a Witch! (2025)
cinematography by Sage Katusin | Best Electric
Can I Run in These Shoes? (2025)
directed + photographed by Emily Polark | Best Electric
Home Sweet Home (2024)
directed by Sebastian Fernandez | Best Electric
grip
Become the Monsters (2026)
directed by Aidan Vogel | cinematography by Petra Espinosa | Key Grip
Ultramarine (2026)
directed + photographed by Gabriella Tortolero | Key Grip
Revenant (2026)
directed + photographed by Emilio Barajas | Key Grip
I Memorized Your Sadness (2025)
cinematography by Anoulak Blanchet | Key Grip
Dr. Rooney’s Office (2023)
directed by Connor Dalrymple | Dolly Grip
Orlando (2023)
directed + photographed by Troi Mize | Grip
Egle and the Grass Snake (2023)
directed + photographed by Ave Liebentritt | Grip
other roles
Spider-Gwen Last Dance (2023)
directed by John Carlo Rosillo | BTS Photographer
Red Rectangle (2022)
directed by Diego Cardenas | Build Crew
Lucille (2022)
directed by Neo Flammanc | BTS Photographer
Dissonance (2022)
directed by Jason Hart | BTS Photographer